Format: Paperback / softback
‘Dazzlingly and daringly written’ Rachel Cooke, ObserverW-3 is a small psychiatric ward in a large university hospital, a world of pills and passes dispensed by an all-powerful staff, a world of veteran patients with grab-bags of tricks, a world of dishevelled, moment-to-moment existence on the edge of permanence.Bette Howland was one of those patients. In 1968, Howland was thirty-one, a single mother of two young sons, struggling to support her family on the part-time salary of a librarian; and labouring day and night at her typewriter to be a writer. One afternoon, while staying at her friend Saul Bellow’s apartment, she swallowed a bottle of pills.W-3 is a vivid – and often surprisingly funny – portrait of the extraordinary community of Ward 3 and a record of a defining moment in a writer’s life. The book itself would be her salvation: she wrote herself out of the grave.Originally published in 1974 and rediscovered forty years later, this is the first edition of W-3 to be published in the UK. With an original introduction by Yiyun Li, author of Where Reasons End.‘W-3 is one hell of a debut’ Lucy Scholes, Paris Review‘Howland is finally getting the recognition that she deserves’ Sarah Hughes, iNews
CONTRIBUTORS: Bette Howland
EAN: 9781529035957
COUNTRY: United Kingdom
PAGES:
WEIGHT: 164 g
HEIGHT: 197 cm
PUBLISHED BY: Pan Macmillan
DATE PUBLISHED: 2022-07-21
CITY:
GENRE: BIOGRAPHY & AUTOBIOGRAPHY / Literary Figures, BIOGRAPHY & AUTOBIOGRAPHY / Medical (inc Patients), BIOGRAPHY & AUTOBIOGRAPHY / Women, BIOGRAPHY & AUTOBIOGRAPHY / Personal Memoirs, BIOGRAPHY & AUTOBIOGRAPHY / Jewish
WIDTH: 130 cm
SPINE:
Book Themes:
Chicago, c 1970 to c 1979, Relating to Jewish people and groups, Autobiography: writers, Memoirs, Care of people with mental health issues
The voice is cool and the gaze is clear . . . a startlingly frank account of mental illness, and the contradictions and humiliations of life as a patient . . . akin to a fly-on-the-wall documentary., A writer of terrifying power, who sees and hears everything . . . Not only is this a sane memoir of madness but it may well be the sanest, most mordant take on the subject I have ever read., Her memoir, clear-eyed, with an anthropological, sociological distance, is a brilliant attempt to document life on the ward with clinical detachment . . . a wonder. Her prose is direct, unadorned, under-stated., At moments dazzlingly and daringly written . . . Its author captures quite brilliantly the comical competitiveness of her fellow patients – who’s the maddest here? they ask, each one hoping to claim victory . . . and she is excellent, too, at delineating what we might call the secret life of the institution. The patients exist for the hospital’s sake, rather than the other way around., A devastating memoir . . . Reading it now, what stands out is how bracingly modern it feels – Howland’s sharp portraits of her fellow patients, the unsparing eye she turns on herself, her refusal to look away from daily humiliations . . . Howland is finally getting the recognition that she deserves.
Bette Howland (1937–2017) was the author of three books: W-3, Blue in Chicago, and Things to Come and Go. She received a MacArthur Fellowship in 1984, after which, though she continued writing, she would not publish another book. Near the end of her life, her stories found new readers when a portfolio of her work appeared in a special issue of A Public Space magazine exploring a generation of women writers, their lifetimes of work, and questions of anonymity and public attention in art.