‘Ambitious, defiant, angry and gripping . . . the bitter story of slavery through the experience of four women’ Guardian'Jackie Kay’s work, formally expansive and inclusive . . . is always about the opening up of our notions of identity' Ali Smith, author of How to Be BothIn The Lamplighter award-winning poet and Scottish Makar Jackie Kay takes us on a journey into the dark heart of Britain’s legacy in the slave trade.First produced as a play, on the page it reads as a profound and tragic multi-layered poem. We watch as four women and one man tell the story of their lives through slavery, from the fort, to the slave ship, through the middle passage, following life on the plantations, charting the growth of the British city and the industrial revolution. Constance has witnessed the sale of her own child; Mary has been beaten to an inch of her life; Black Harriot has been forced to sell her body; and our lead, the Lamplighter, was sold twice into slavery from the ports in Bristol. Their different voices sing together in a rousing chorus that speaks to the experiences of all those brutalised by slavery, and lifts in the end to a soaring and powerful conclusion. Stirring, impassioned and deeply affecting, The Lamplighter remains as essential today as the day it was first performed. This is an essential work by one of our most beloved writers.
CONTRIBUTORS: Jackie KayEAN: 9781529039856COUNTRY: United KingdomPAGES: WEIGHT: 154 gHEIGHT: 196 cm
PUBLISHED BY: Pan MacmillanDATE PUBLISHED: 2020-08-06CITY: GENRE: PERFORMING ARTS / Theater / Playwriting, SOCIAL SCIENCE / SlaveryWIDTH: 130 cmSPINE:
Book Themes:
Classic and pre-20th century plays, Slavery and abolition of slavery
One of Scotlands most celebrated living writers., Kay’s strength as a poet has always been her clear, plain style, and its fearless spoken poignancy, Ambitious, defiant, angry and gripping . . . the bitter story of slavery through the experience of four women, Jackie Kay’s work, formally expansive and inclusive, often an exploration of the hurt done by small-mindedness and its attendant exclusivity, is always about the opening up of our notions of identity . . . Kay has always been a watcher, a tracer of the “true” story., I am still reeling from The Lamplighter . . . It reads like the ballad of four enslaved women as they tell us their personal horrors. This book lays bare Britain’s role in the slave trade and it is an illuminating look at truths we would rather leave in the darkness. It is as beautiful as it is devastating.
Jackie Kay was born in Edinburgh. She is the third modern Makar, the Scottish poet laureate. A poet, novelist and writer of short stories, she has enjoyed great acclaim for her work for both adults and children. Her novel Trumpet won the Guardian Fiction Prize. She is also the author of collections of stories with Picador, Why Don't You Stop Talking, Wish I Was Here, and Reality, Reality; a poetry collection, Fiere; and a memoir, Red Dust Road. She is Professor of Creative Writing at Newcastle University, and lives in Manchester, where she is currently Chancellor of the University of Salford.
Format: Paperback / softback
‘Ambitious, defiant, angry and gripping . . . the bitter story of slavery through the experience of four women’ Guardian'Jackie Kay’s work, formally expansive and inclusive . . . is always about the opening up of our notions of identity' Ali Smith, author of How to Be BothIn The Lamplighter award-winning poet and Scottish Makar Jackie Kay takes us on a journey into the dark heart of Britain’s legacy in the slave trade.First produced as a play, on the page it reads as a profound and tragic multi-layered poem. We watch as four women and one man tell the story of their lives through slavery, from the fort, to the slave ship, through the middle passage, following life on the plantations, charting the growth of the British city and the industrial revolution. Constance has witnessed the sale of her own child; Mary has been beaten to an inch of her life; Black Harriot has been forced to sell her body; and our lead, the Lamplighter, was sold twice into slavery from the ports in Bristol. Their different voices sing together in a rousing chorus that speaks to the experiences of all those brutalised by slavery, and lifts in the end to a soaring and powerful conclusion. Stirring, impassioned and deeply affecting, The Lamplighter remains as essential today as the day it was first performed. This is an essential work by one of our most beloved writers.
CONTRIBUTORS: Jackie KayEAN: 9781529039856COUNTRY: United KingdomPAGES: WEIGHT: 154 gHEIGHT: 196 cm
PUBLISHED BY: Pan MacmillanDATE PUBLISHED: 2020-08-06CITY: GENRE: PERFORMING ARTS / Theater / Playwriting, SOCIAL SCIENCE / SlaveryWIDTH: 130 cmSPINE:
Book Themes:
Classic and pre-20th century plays, Slavery and abolition of slavery
Jackie Kay was born in Edinburgh. She is the third modern Makar, the Scottish poet laureate. A poet, novelist and writer of short stories, she has enjoyed great acclaim for her work for both adults and children. Her novel Trumpet won the Guardian Fiction Prize. She is also the author of collections of stories with Picador, Why Don't You Stop Talking, Wish I Was Here, and Reality, Reality; a poetry collection, Fiere; and a memoir, Red Dust Road. She is Professor of Creative Writing at Newcastle University, and lives in Manchester, where she is currently Chancellor of the University of Salford.
Die man van elders, ’n titel wat onmiddellik my verbeelding geprikkel het. Gelukkig het die skrywer, die geliefde Helene de Kock, reeds so vroeg as op bladsy 27 vir die lesers ’n leidraad gegee oor haar gedagtegang wat betref Jean Botha: “Elders is iewers en tegelyk nêrens. En is dit nie waar hy nou is nie?” Dan neem die storielyn sy loop, en baie later kan Jean op sy eie stukkie grond staan en verklaar: “Ja, ek is die man van Elders. Soos Ou Paul sê, daar waar dit mooiweer en warm is.” (p.264)”
Die verhaal is veel meer as net een man se soeke na ’n plek waar hy behoort. Dit is ook die verhaal van Renette Brink wat met een oogopslag Jean se hart gesteel het, maar die prooi word van huishoudelike geweld en ’n narsis. “Haar man is verslaaf aan homself.” (p.211) Dit moes Renette op die harde manier agterkom. Nie ’n tema wat jou in die gehoor streel nie, maar sonder omhaal weergegee.
Daar is gelukkig ook baie heilsame aspekte in die storielyn ingebou soos ware vriendskap en aanvaarding sonder vooroordeel, tweede kanse, opoffering en dankbaarheid. Die geestelike pad wat die hoofkarakters loop, word ook subtiel bygewerk in die styl waarvoor hierdie skrywer bekend is.
Die man van elders is die derde in ’n reeks en volg op Diana se dag en Drome het ook asem. Moet glad nie bekommerd wees as jy die eerste twee nie gelees het nie, hierdie verhaal kan op eie bene staan. Dit sal egter ’n bonus wees as jy hulle sommer al drie in volgorde kan lees.
Human & Rousseau is die uitgewers. Dit is ’n druknaam van Jonathan Ball Uitgewers
"Big Dreams, Big Travel" is an consistently exciting adventure that immediately draws you into a mysterious dream world. Wim Balmer writes clearly, directly, and without unnecessary length – you practically fly through the pages. Jay's journey between dream and reality is intense, surprising, and makes you eager to keep reading.
A great fantasy book for young readers who want to dive straight into the adventure. Entertaining, dreamy, and absolutely recommended.
Extremely helpful - hundreds of topics covered.
2 Examples:
- Consider everything already broken.
Everything breaks, even rocks eventually become sand. So don't stress about it when somethings breaks! You knew it was going to happen!
- Beware of the mushroom effect of your thoughts. (She probably thinks this now. She's probably telling everybody. Now, this person will... etc)