Manual for Cleaning Women

Celebrating Fifty Years of Picador BooksThe world just goes along. Nothing much matters, you know? I mean really matters. but then sometimes, just for a second, you get this grace, this belief that it does matter, a whole lot.With an introduction from Lydia DavisLucia Berlin’s stories in A Manual for Cleaning Women make for one of the most remarkable unsung collections in twentieth-century American fiction. With extraordinary honesty and magnetism, Lucia Berlin invites us into her rich, itinerant life: the drink and the mess and the pain and the beauty and the moments of surprise and of grace, with a voice is witty, anarchic, compassionate, and completely unique. Part of the Picador Collection, a series showcasing the best of modern literature.

This selection of 43 stories . . . should by all rights see her as lauded as Jean Rhys or Raymond Carver., In A Manual for Cleaning Women we witness the emergence of an important American writer, one who was mostly overlooked in her time. She is the real deal., Lucia Berlin's collection of short stories, A Manual for Cleaning Women, deserves all of the posthumous praise its author has received . . . Her work is being comp­ared to Raymond Carver, for her similar oblique, colloquial style; her mordant humour; the recurrence of alcoholics; and her interest in the lives of working-class or marginalised people. But only Carver's very final stories share Berlin's eye for the sud­den exaltation in ordinary lives, or her ability to shift the tone of an entire story with an unexpected sent­ence., Some short story writers - Chekhov, Alice Munro, William Trevor - sidle up and tap you gently on the shoulder: Come, they murmur, sit down, listen to what I have to say. Lucia Berlin spins you around, knocks you down and grinds your face into the dirt. You will listen to me if I have to force you, her stories growl. But why would you make me do that, darlin'? . . . Berlin's stories are full of second chances. Now readers have another chance to confront them: bits of life, chewed up and spat out like a wad of tobacco, bitter and rich., [Berlin's] stories are peopled with sharp, unpredictable, vital characters (often drunk!). They hit you with a force the moment you happen upon them.

Lucia Berlin (1936-2004) worked brilliantly but sporadically throughout the 1960s, '70s and '80s. Her stories are culled from her early childhood in various Western mining towns; her glamorous teenage years in Santiago, Chile; three failed marriages; a lifelong problem with alcoholism; her years spent in Berkeley, New Mexico, and Mexico City; and the various jobs she later held to support her writing and her four sons, including as a high-school teacher, a switchboard operator, a physician's assistant, and a cleaning woman. Two collections of her work were published posthumously: A Manual for Cleaning Women and Evening in Paradise.